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    <title>Moreover Technologies - Pop music reviews - 30 of 297 returned</title>
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      <title>Erase Bad Credit Legally - Sponsored Link</title>
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      <pubDate>Sun, 22 Nov 2009 00:59:00 GMT</pubDate>
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      <title>Lady Gaga: The Fame Monster</title>
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      <description>Every Christmas brings enhanced versions of previously successful albums, with a few new tracks bolted on. Unlike most of the other enhancees around – The Alesha Show: The Encore, for instance – Lady Gaga's contains eight new tracks, which stands</description>
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      <pubDate>Sun, 22 Nov 2009 00:59:00 GMT</pubDate>
      <source url="http://p.moreover.com/page?s=Guardian.co.uk&amp;o=rss002">Guardian.co.uk</source>
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      <title>Tom Waits: Glitter and Doom Live</title>
      <link>http://c.moreover.com/click/here.pl?r2350637661</link>
      <description>Every storyteller needs an audience, but Waits is a master fabulist whose diabolic razzle dazzle looms particularly great and grand in front of a crowd, as this 17-track feast of live performances demonstrates. The penultimate offering, 'Story', a rasped</description>
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      <pubDate>Sun, 22 Nov 2009 00:59:00 GMT</pubDate>
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      <title>The Twilight Saga: New Moon</title>
      <link>http://c.moreover.com/click/here.pl?r2350637604</link>
      <description>The soundtrack to the second instalment of the inescapable vamp romance may prove an unexpected pleasure. Instead of target market-chasing pop punk and watered-down emo, it supplies an intriguing blend of cult collaborations (Grizzly Bear with Beach</description>
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      <pubDate>Sun, 22 Nov 2009 00:59:00 GMT</pubDate>
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      <title>The Hidden Cameras - Origin: Orphan</title>
      <link>http://c.moreover.com/click/here.pl?r2350637546</link>
      <description>'Gay church folk music', as singer Joel Gibb has classified it, really doesn't do the sound of his chamber pop collective justice. Though full of the widescreen bombast they're loved for, album number five is far more than just pomp and silliness: from</description>
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      <pubDate>Sun, 22 Nov 2009 00:59:00 GMT</pubDate>
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      <title>The Low Anthem</title>
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      <description> The Tabernacle, London W11 | The Rhode Island four-piece use a host of instruments to create their desolate, ethereal folk blues According to their Wikipedia profile, the Low Anthem use no fewer than 32 instruments in creating their desolate, often</description>
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      <pubDate>Sun, 22 Nov 2009 00:59:00 GMT</pubDate>
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      <title>Kris Allen</title>
      <link>http://c.moreover.com/click/here.pl?r2349379161</link>
      <description>53 78 Amerie 79 Annie 76 Anti-Pop Consortium 86 The Antlers 75 Arctic Monkeys 68 As Tall As Lions 82 Atlas Sound 77 The Avett Brothers 67 Backstreet Boys 59 Bad Lieutenant 68 Devendra Banhart 71 Lou Barlow 88 Baroness 69 Basement Jaxx 81 David Bazan 72</description>
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      <pubDate>Sat, 21 Nov 2009 04:54:00 GMT</pubDate>
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      <title>Real Estate</title>
      <link>http://c.moreover.com/click/here.pl?r2349379097</link>
      <description>53 Kris Allen 78 Amerie 79 Annie 76 Anti-Pop Consortium 86 The Antlers 75 Arctic Monkeys 68 As Tall As Lions 82 Atlas Sound 77 The Avett Brothers 67 Backstreet Boys 59 Bad Lieutenant 68 Devendra Banhart 71 Lou Barlow 88 Baroness 69 Basement Jaxx 81 David</description>
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      <pubDate>Sat, 21 Nov 2009 04:54:00 GMT</pubDate>
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      <title>OneRepublic</title>
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      <description>by 64 N/A User Score: Generally favorable reviews Based on Based on 0 votes Album Info Label: Interscope Release Date: 17 November 2009 Discs: 1 disc Genre(s): Rock Summary This is the second album for the Grammy-nominated rock band from Colorado. Also</description>
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      <pubDate>Sat, 21 Nov 2009 04:54:00 GMT</pubDate>
      <source url="http://p.moreover.com/page?s=Metacritic&amp;o=rss002">Metacritic</source>
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      <title>Robbie Williams</title>
      <link>http://c.moreover.com/click/here.pl?r2349378937</link>
      <description>53 Kris Allen 78 Amerie 79 Annie 76 Anti-Pop Consortium 86 The Antlers 75 Arctic Monkeys 68 As Tall As Lions 82 Atlas Sound 77 The Avett Brothers 67 Backstreet Boys 59 Bad Lieutenant 68 Devendra Banhart 71 Lou Barlow 88 Baroness 69 Basement Jaxx 81 David</description>
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      <pubDate>Sat, 21 Nov 2009 04:54:00 GMT</pubDate>
      <source url="http://p.moreover.com/page?s=Metacritic&amp;o=rss002">Metacritic</source>
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      <title>Susan Boyle: I Dreamed a Dream</title>
      <link>http://c.moreover.com/click/here.pl?r2349036512</link>
      <description> The Subo circus leads from Britain's Got Talent, to YouTube phenomenon, via a pitstop at the Priory… to a surprisingly subtle debut album When is a record not a record? When it is a souvenir of a phenomenon. Weeks ahead of release, Susan Boyle's debut</description>
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      <pubDate>Sat, 21 Nov 2009 00:33:00 GMT</pubDate>
      <source url="http://p.moreover.com/page?s=Guardian.co.uk&amp;o=rss002">Guardian.co.uk</source>
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      <title>The Decemberists</title>
      <link>http://c.moreover.com/click/here.pl?r2348893858</link>
      <description> Forum, London There is no doubting Colin Meloy's ambition for his music. The last time he brought the Decemberists to London from Oregon, the band opened their set with a 20-minute folk-prog-metal epic based on an Irish legend. This time, he dedicates</description>
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      <pubDate>Fri, 20 Nov 2009 23:05:00 GMT</pubDate>
      <source url="http://p.moreover.com/page?s=Guardian.co.uk&amp;o=rss002">Guardian.co.uk</source>
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      <title>AC/DC: Backtracks</title>
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      <description>With gross earnings topping an astronomical $105 million, to say that its been a good year for AC/DC is a bit of an understatement. With a third generation discovering the bands music, theyre now more popular than theyve ever been, theres no venue too</description>
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      <pubDate>Fri, 20 Nov 2009 15:15:00 GMT</pubDate>
      <source url="http://p.moreover.com/page?s=Pop%20Matters&amp;o=rss002">Pop Matters</source>
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      <title>Sufjan Stevens: Run Rabbit Run + The BQE (CD/DVD)</title>
      <link>http://c.moreover.com/click/here.pl?r2347918442</link>
      <description>Grab your laypersons guide to orchestral music terminology. Its time for a couple of non-folk conceptual albums from arty wunderkind Sufjan Stevensactually, one is rearranged by Osso. Both of these albums will alienate some fans of Stevens virtuosic</description>
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      <pubDate>Fri, 20 Nov 2009 15:15:00 GMT</pubDate>
      <source url="http://p.moreover.com/page?s=Pop%20Matters&amp;o=rss002">Pop Matters</source>
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      <title>Joan Baez: How Sweet the Sound</title>
      <link>http://c.moreover.com/click/here.pl?r2347918173</link>
      <description>Given Joan Baezs centrality to American cultural and political life over the past five decades, the greatest surprise this documentary is that it wasnt made much sooner. While Bob Dylans career has been the subject of a multitude of docs and bios, essays</description>
      <guid>http://c.moreover.com/click/here.pl?r2347918173</guid>
      <pubDate>Fri, 20 Nov 2009 15:15:00 GMT</pubDate>
      <source url="http://p.moreover.com/page?s=Pop%20Matters&amp;o=rss002">Pop Matters</source>
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      <title>Robyn Hitchcock: I Often Dream of Trains in New York [DVD]</title>
      <link>http://c.moreover.com/click/here.pl?r2347917914</link>
      <description>Not too long ago, I reviewed the , and among my complaints was the charge that some of the songs didnt work without their accompanying visuals. Well, feel free to haul out your Emerson and find something foolish consistency, because Im to say that Robyn</description>
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      <pubDate>Fri, 20 Nov 2009 15:15:00 GMT</pubDate>
      <source url="http://p.moreover.com/page?s=Pop%20Matters&amp;o=rss002">Pop Matters</source>
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      <title>Lowlights: Further/Free</title>
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      <description>, the title of the last Lowlights record, was a perfect name for the bands sound. Their lush country music has the deep feel of being isolated out in the vast, wide-open parts of America. And that stark, beautiful sound continues with Further/Free.</description>
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      <pubDate>Fri, 20 Nov 2009 15:15:00 GMT</pubDate>
      <source url="http://p.moreover.com/page?s=Pop%20Matters&amp;o=rss002">Pop Matters</source>
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      <title>Miley Cyrus: The Time of Our Lives</title>
      <link>http://c.moreover.com/click/here.pl?r2347573612</link>
      <description> (Hollywood) No matter how many provocative Annie Leibowitz shots Miley Cyrus poses for, as long as her sole professional association is with Disney TV and its record label, she'll always find it hard to convince those past puberty that there's much more</description>
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      <pubDate>Fri, 20 Nov 2009 12:51:00 GMT</pubDate>
      <source url="http://p.moreover.com/page?s=Guardian.co.uk&amp;o=rss002">Guardian.co.uk</source>
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      <title>Reality Killed The Video Star</title>
      <link>http://c.moreover.com/click/here.pl?r2347004815</link>
      <description>Reality Killed the Video Star is more complicated and interesting than that. 75 Los Angeles Times Like the verbal tricks he loves to employ, the appeal of might still be too tricky to be truly universal. But this album proves that he is a great brain</description>
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      <pubDate>Fri, 20 Nov 2009 06:19:00 GMT</pubDate>
      <source url="http://p.moreover.com/page?s=Metacritic&amp;o=rss002">Metacritic</source>
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      <title>Del The Funky Homosapien &amp; Tame One</title>
      <link>http://c.moreover.com/click/here.pl?r2347004696</link>
      <description>Funky Homosapien and Tame One. Also On The Web: What The Critics Said All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. 85</description>
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      <pubDate>Fri, 20 Nov 2009 06:19:00 GMT</pubDate>
      <source url="http://p.moreover.com/page?s=Metacritic&amp;o=rss002">Metacritic</source>
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      <title>John Mayer: Battle Studies</title>
      <link>http://c.moreover.com/click/here.pl?r2346379438</link>
      <description> (Columbia) His name might not register much over here, but John Mayer is a real, live big deal in the States. This Grammy-winning, Jennifer Aniston-dating, sneaker-designing (no, really) AOR pin-up has sold 13m fearlessly commercial albums, veering</description>
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      <pubDate>Thu, 19 Nov 2009 23:26:00 GMT</pubDate>
      <source url="http://p.moreover.com/page?s=Guardian.co.uk&amp;o=rss002">Guardian.co.uk</source>
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      <title>Susan Boyle: I Dreamed a Dream</title>
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      <description> (Syco) Susan Boyle's against-the-odds story was the biggest talking point of any talent show this year - months later, the memory of Simon Cowell's face at her Britain's Got Talent audition still warms the cockles. But this album is where sentiment</description>
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      <pubDate>Thu, 19 Nov 2009 23:26:00 GMT</pubDate>
      <source url="http://p.moreover.com/page?s=Guardian.co.uk&amp;o=rss002">Guardian.co.uk</source>
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      <title>Rihanna: Rated R</title>
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      <description> (Mercury) Difficult to look past the lyrics … Rihanna Even by the standards of the R&amp;B video – never the most opaque or subtle of the visual arts – the promo for Rihanna's single Russian Roulette is striking. It features the singer being gassed,</description>
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      <pubDate>Thu, 19 Nov 2009 22:54:00 GMT</pubDate>
      <source url="http://p.moreover.com/page?s=Guardian.co.uk&amp;o=rss002">Guardian.co.uk</source>
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      <title>Plastiscines</title>
      <link>http://c.moreover.com/click/here.pl?r2346304780</link>
      <description> Barfly, London It's amazing what a French accent can do to the word 'bitch'. Coming from the lips of Plastiscines singer and guitarist Katty Besnard, it's more caress than insult, even when squawked at the top of her (insubstantial) lungs during a song</description>
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      <pubDate>Thu, 19 Nov 2009 22:54:00 GMT</pubDate>
      <source url="http://p.moreover.com/page?s=Guardian.co.uk&amp;o=rss002">Guardian.co.uk</source>
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      <title>Various: Rough Trade Shops Indiepop '09</title>
      <link>http://c.moreover.com/click/here.pl?r2346303623</link>
      <description> (Rough Trade) In the 1980s, when indie was forged in bedrooms across Britain from a love of 1960s garage rock and girl-group pop, basic guitar chords and arch adolescent poetry, its proponents were derided as twee and incompetent. Two decades on, the</description>
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      <pubDate>Thu, 19 Nov 2009 22:54:00 GMT</pubDate>
      <source url="http://p.moreover.com/page?s=Guardian.co.uk&amp;o=rss002">Guardian.co.uk</source>
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      <title>Monsters of Folk</title>
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      <description> Troxy, London It's their first London show, and Monsters of Folk have found their spiritual home at the Troxy. 'A temple of the roaring 20s painted in the colours of the roaring 80s,' says Jim James, looking around appreciatively. 'A collision of</description>
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      <pubDate>Thu, 19 Nov 2009 22:53:00 GMT</pubDate>
      <source url="http://p.moreover.com/page?s=Guardian.co.uk&amp;o=rss002">Guardian.co.uk</source>
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      <title>Snow Patrol</title>
      <link>http://c.moreover.com/click/here.pl?r2346187556</link>
      <description> Brighton Centre T The career of Snow Patrol is an example of pragmatism paying off. They began life as a winsome indie band with a passing resemblance to Belle and Sebastian, performing songs called things like Get Balsamic Vinegar ... Quick You Fool,</description>
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      <pubDate>Thu, 19 Nov 2009 22:05:00 GMT</pubDate>
      <source url="http://p.moreover.com/page?s=Guardian.co.uk&amp;o=rss002">Guardian.co.uk</source>
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      <title>Real Estate: Real Estate</title>
      <link>http://c.moreover.com/click/here.pl?r2344357402</link>
      <description>In todays culture, the blogosphere moves with such spitting tenacity, and wields such a ruly force over independent music, that once-loved darlings of the self-appointed press become enemies of the state before their first scrap of music is ever</description>
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      <pubDate>Thu, 19 Nov 2009 07:22:00 GMT</pubDate>
      <source url="http://p.moreover.com/page?s=Pop%20Matters&amp;o=rss002">Pop Matters</source>
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      <title>Rakim: The Seventh Seal</title>
      <link>http://c.moreover.com/click/here.pl?r2344357334</link>
      <description>Rakim Allah (who Ill refer to in a number of ways throughout this review) will always be known as one of the best to ever do it. His legacy can withstand even the most deadly blows to an artist, from album delays, of which he has suffered many, to a</description>
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      <pubDate>Thu, 19 Nov 2009 07:22:00 GMT</pubDate>
      <source url="http://p.moreover.com/page?s=Pop%20Matters&amp;o=rss002">Pop Matters</source>
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      <title>Ola Podrida: Belly of the Lion</title>
      <link>http://c.moreover.com/click/here.pl?r2344357218</link>
      <description>David Wingo, the man behind Ola Podrida, has clearly learned a thing or two from his past, back when he used to score films for his pal David Gordon Green. Slipping in the subtle evocative sound, establishing a sonic landscape, expanding out into swells</description>
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      <pubDate>Thu, 19 Nov 2009 07:22:00 GMT</pubDate>
      <source url="http://p.moreover.com/page?s=Pop%20Matters&amp;o=rss002">Pop Matters</source>
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      <title>Q-Tip: Kamaal the Abstract</title>
      <link>http://c.moreover.com/click/here.pl?r2344357118</link>
      <description> By Dave Heaton PopMatters Associate Music Editor</description>
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      <pubDate>Thu, 19 Nov 2009 07:22:00 GMT</pubDate>
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